ENG→>Luca # 2021 «Film ®Full — Online
Rating: PG (Some Thematic Elements | Brief Violence | Rude Humor | Language)
Genre: Children & Family, Fantasy, Comedy, Animation
Original language: English
Director: Enrico Casarosa
Producer: Andrea Warren
Writer: Jesse Andrews, Mike Jones
Release date (broadcast): June 18, 2021
Duration: 1h 40m
Co Production: Pixar Animation Studios, Walt Disney Pictures
Sound Mix: Dolby Atmos, Dolby Digital
Aspect Ratio: Flat (1.85: 1)
The Italian coast has never been as attractive as in Luca.
It is true that Luca is an animated film, so the colors are marked. But damn, if you don’t feel like taking a refreshing dip in the sparkling waters and just washing away your worries.
While the experience isn’t quite as visceral as the reality, Luca also has that effect as a charming and sympathetic family movie that gives you the warmth and fuzziness without reaching for the tissues like most Pixar movies.
There is an interesting conundrum that Pixar has created for itself in the sense that there are expectations that their films will tap into their audience’s reserves of emotional catharsis, causing almost a poignant epiphany about life itself.
Pixar has done this a number of times, through Inside Out, Up, Toy Story 3, and most recently Soul, whose story about purpose and grace in life’s little moments took a particularly hard hit at the end of a tumultuous 2020.
But not all Pixar movies have some kind of pop culture therapy. Some Pixar movies can be upbeat and fun. Luca is one of those Pixar movies: entertaining, beautifully animated, and unchallenged.
With tones of The Little Mermaid, Mark Twain or the childhood friendship in My Brilliant Friend, Luca takes place on the Italian Riviera in the mid-20th century. Luca (Jacob Tremblay) is a young sea monster who lives off the coast with his parents (Maya Rudolph and Jim Gaffigan) and his grandmother.
His parents have warned him to hide if he ever sees humans (“earth monsters”) crossing in his boats, because they were “here to commit murder.” But Luca was curious about the life upstairs, even though he doesn’t sing about whozits, whatzits, and thingamabobs.
One day, while herding fish in a kelp grass, Luca sees something shiny nearby: a trail of human objects that leads to Alberto (Jack Dylan Grazer). Alberto is the opposite of Luca, confident and unabashed to Luca’s anxious shyness.
What Luca doesn’t know is that when sea monsters go to land, they take human form (their scales turn into skin, their tail disappears) and they can pass for people. Alberto is a self-proclaimed people expert and Luca is more than happy to join him.
Enchanted by Alberto’s treasure of human beings, what attracts him the most is a poster of a shiny Vespa, symbol of freedom and adventure. Finally they travel to Portorosso, a small fishing village full of promise, while hiding their secret identities.
And that’s what Luca is really about, that drive to explore, discover and experience something new, based on this beautiful story about childhood friendships, especially that wild friend who pushes you to risk something you never knew you were capable of. .
The animation is exhilarating and colorful with a small Italian town from the 1950s appearing on screen with its supporting characters, including the brave Giulia (Emma Berman), a young human whose greatest wish is to win the city’s triathlon, the Portorosso Cup.
Director Enrico Casarosa packs Luca with little touches that range from the gelataria and the region-specific pesto pasta to the town’s statues and fountain. He is a whirlwind and a vivid evocation of the place.
Tremblay, Grazer and Berman’s voice performances radiate youthful joy and optimism, bringing distinctive flavors to each of their characters; this is particularly impressive given that covid meant that they were sometimes recorded in their parents’ closets rather than in a professional studio.
Luca is a winning film on many levels and works best as a vibrant story about the pure joys of imagination and childhood adventure.
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Freed from the confines of their underwater habitat, Luca and Alberto explore the delights found in the town of Portorosso, located on the Italian Riviera. During their journey, they befriend a local girl, Giulia (Emma Berman), and clash with Portorosso’s most notorious bully, Ercole Visconti (Saverino Raimondo). Giulia encourages the undercover sea monsters to take part in the Portorosso Cup race, the city’s annual “big event,” and thus challenge the supremacy of Ercole, who is a repeat winner. Meanwhile, Luca’s parents, having guessed where his son had gone, set out in pursuit.
Luca’s setting, inspired by director Enrico Casarosa’s childhood in Genoa, builds the world enough to bring the small coastal town to life during the 1950s or 1960s. (He is less successful in developing the monsters’ underwater community. marine). In keeping with Pixar’s stated desire to expand its film locations in as many diverse (and sometimes fantastic) geographic areas as possible, Luca does a good job of opening a new frontier. However, it is unfortunate that the story does not match the atmosphere or the images.
As is common in Pixar movies, the animation is consistently strong and, at times, beautiful. Several of the entertainers visited the Italian Riviera to familiarize themselves with the people and places, and Casarosa’s intimate knowledge of the setting provided additional reinforcement. Unlike many recent Disney / Pixar offerings, Luca arrives without the backing of star power. The best-known names in the cast are Jacob Tremblay, Maya Rudolph, Jim Gaffigan, and Sacha Baron Cohen. (The last three have small supporting roles.) Many of the voices are provided by relative strangers. This is clearly a case where the filmmakers did not want to bargain with contributions from a top-notch actor to increase the film’s visibility.
Casarosa has admitted that much of Luca’s story is semi-autobiographical. Others have pointed out that the “in the closet” aspect of the existence of sea monsters on land reflects the experiences of those who hide their sexuality for fear of a social reaction. However, these aspects, which constitute an interesting behind-the-scenes fodder, do not add to the thinness of the narrative. Luca takes Pixar’s baton from Soul and stumbles upon him. Considering the ease of access of it (available directly for Disney + without surcharge), it is worth seeing, especially for children. But in Pixar’s general catalog, it’s hard to imagine this being more than a vaguely remembered curiosity.
It’s always a good time when real-world commentary makes its way into animated movies. Tension for fear of the unknown. Stress due to visual differences. There is no need to fear those who are different from you. We have more in common than you think. These are just some of the deeper themes from Pixar’s latest movie Luca.
I love immersing you in other cultures and learning their customs. I was concerned that some of the cultural attributes would become stereotypical or clichéd, but I was wrong. Luca is an engaging and tasty treat with vibrant colors and authentic culture, and features another fantastic duo in Luca and Alberto.
Luca follows his main character Luca Paguro, a shy and good-natured little sea monster. He does what he is told. He tends to his flock of fish and never comes to the surface, that is, until he meets Alberto Scorfano, the sea monster who is literally a fish out of water. The challenge of being a sea monster on land is keeping it a secret, especially in a fishing village built on the legends of killing sea monsters. Luca and Alberto live an epic summer on the Italian Riviera full of new experiences and a bond that will last a lifetime.
The film is directed by Enrico Casarosa (La Luna) and co-written by Jesse Andrews (Earl and the Dying Girl and me) and Mike Jones (Soul). The film stars the voice talents of Jacob Tremblay (Good Boys), Jack Dylan Grazer (Shazam), Sacha Baron Cohen (Borat), Maya Rudolph (Bridesmaids), Giacomo Gianniotti (Grey’s Anatomy), Jim Gaffigan (Troop Zero). and the newcomer. Emma Berman.
Luca is, in essence, a movie about friendship, a friendship that we all want at some point. Someone to plan great adventures with, who doesn’t laugh at our outlandish dreams, and someone who takes us out of our comfort zone. Some of us are lucky enough to get one of those, let alone all three. Luca and Alberto’s friendship is charming and innocent. Of course, it’s not perfect, and why should it be? Their friendship is one of the reasons this movie works so well. It is childhood. They are two little boys who have the best summer of their lives. Their friendship gives off a nostalgia that encompasses the entire film.
Luca and Alberto not only highlight the issue of friendship, but also the issue of belonging. The two represent all the children who ever felt that they did not belong, the children who are in their own world because the one they live in does not accept them for who they are. When you find that person who grabs you and is weird with you, it’s exciting. Luca, Alberto and even their new friend Giulia, who appears later in the film, are aware of their exteriority to the point where they give themselves a name and learn how important it is to stick together. At such a young age, Luca and Alberto realize what it means to be a true friend and want the best for someone, even if it means being apart for a while.
Luca takes us on a wild adventure to a small town on the Italian Riviera. In real life, I am socially distant and I am sitting on my couch. But, in my mind, I am eating ice cream next to a Vespa. The bug from the trip hit, and hit hard after seeing Luca. The attention to detail was amazing. From the bright colors, the landscape, the food, the little Italian phrases embedded in dialogue, the cultural identity of the Italian people was recognized and updated. Director Casarosa set out to include as much authenticity as possible, and it shows.
While there were a lot of amazing things about this movie, there were a few things that could have been handled better. For one thing, there was a heavier moment in the movie that was never fully updated. Although the movie is titled Luca, we learn a lot about Alberto and how his friendship with Luca changes his life. I wish we could have delved deeper into Alberto’s past. We have a small opening to the past where we realize where Alberto’s “Bruno” comes from. Bruno is that voice that tells us that we cannot do something or that we are afraid. Alberto’s Bruno developed when his father left. It is much more poignant than when Luca realized that “Bruno” came for him when he was preparing to break the rules. He would have given the movie more dimension. But as such, Luca is still a purely positive movie.
Luca is a warm and familiar experience that reminds us what friends are for (like the ballad of Dionne Warwick). The movie is full of positivity, optimism and determination, all great things that make it a fantastic Pixar movie. Luca is the character that represents everyone, at any age, who wants to get out of their comfort zone and learn about other people, get to know other cultures and make new friends along the way.